Holography

Pseudo crystal beginning: surprising optical behaviour of a recently discovered gem opal


P. Gauchet and F. Mazzero
University of Pittsburgh
Play (23min) Download: MP4 | MP3

Colourholographic Ltd BBPan panchromatic emulsions for recording colour holograms


M. Ulibarrena
Colourholographic Ltd., UK
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Words and images in time and space: An exploration of the use of text in fine-art holography


P. John
University of Southampton, UK
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Facial topometry using pulsed holography


S. Hirsch
HFZ Universitäts hospital Basel, Germany
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Other Dimensions of Holography: the Historical, Social and Cultural

Sean Johnston
University of Glasgow
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A Case for the Holographic Object

Mary Harman
Visual Artist
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Color Holography Progress and New Recording Materials

Prof. Hans Bjelkhagen
Centre for Modern Optics, OpTIC
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Dynamic digital holographic display based on digital micromirror device and the improvement of optically reconstructed image quality

Jianhua Zhu
Sichuan university, China
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Hologram standardization at ISO: Seeking Experts

Hiroshi Yoshikawa
Nihon University, Japan
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Holography without frames: Sculptural installations incorporating ‘drawn’ elements

Andrew Pepper
Nottingham Trent University, United Kingdom

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Recent Advancements in Photorefractive Holographic Imaging

Brittany Lynn
College of Optical Science, University of Arizona, USA

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A rendering method of background reflections on a specular surface for CGH

Tsubasa Ichikawa
Hokkaido University, Japan

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Looking back and forward, Holography at the Academy of Media Arts Cologne (KHM)

Martina Mrongovius
Center for the Holographic Arts, US

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Teaching holography new problems, new courses and new students


P. John, J. Gates
University of Southampton, UK
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Improving the remarkable photosensitivity of dichromated gelatin for hologram recording in green laser light


J. Blyth
University of Cambridge, UK
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The evolution of artist’s vision and the influence of advancement of optical/media technology


N. Ikuo
The Center for the Holographic Arts, New York, USA
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Rapid wireless transmission of holographic 3D images for remote educating process


K. Takano
Tokyo Metroploitan College of Aeronautical Engineering, Japan
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Welcome

John Durant & Philip Khoury
MIT Museum
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HARRISON’S HOLOGRAMS: Stopping Time

Martin Richardson
De Montfort University, Leicester
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Photorefractive Material Development for Updatable Holographic Three-dimensional Display

Michiharu Yamamoto
Nitto Denko Technical Corporation
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High-speed full analytical holographic computations for true-life scenes

Yuan-Zhi Liu
Zhongshan (Sun Yat-Sen) university, China
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Generalized fresnel lens in security, light managment and holographic packaging applications

Pawel Stepien
Marcin Badenski Polish Holographic Systems, Poland
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From mimetism to immateriality in Art Holography: different approaches and concepts

Rosa Maria Oliveira
University of Aveiro, Portugal

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Direct fringe imaging of diffraction specific coherent panoramagrams in photorefractive polymer for updatable three-dimensional holographic display

Sundeep Jolly
Media Lab, United States

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An Innovative Tool for Fabrication Computer-Generated Holograms

Henry Smith
MIT, United States

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Moving through a multiplex holographic

Martina Mrongovius
Center for the Holographic Arts, US

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“New on the map”, holography at Kun Shan University, Tainan Taiwan


Y.-L. Huang, C.-H. Cheng
Kun Shan University, Taiwan
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Eosin Y/triethanolamine dispersed poly (hydroxyethyl methacrylate-co-methyl methacrylate) photopolymer


K. Y. Hsu
National Chiao Tung University, Taiwan
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The evolution of pseudo colour reflection holography. And where we are today


I. Beguiristain
Light Impressions Ltd., UK
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HoloPov: a program for predicting image geometry in display holograms


Kaveh Bazargan
The Holographer, UK
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Keynote

Dr. Charles Vest
MIT Museum
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Experiments in Image Composition for Synthetic Holography

Jacques Desbiens
Montreal, Quebec, Canada.
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Exposure and Spectral Characteristics of Bulgarian Silver-halide Materials for Multicolor Holographic Recording

V. Sainov
DIT, Dublin, Ireland
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Applications of digital holography to measurements and optical characterization

Xinzhu Sang
Beijing University of Posts and Telecommunications, China
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Research activities on holographic video in Japan

Hiroshi Yoshikawa
Nihon University, Japan
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A Curious Conundrum; The State of Holographic Portraiture in the 21st Century

Rob Taylor
Forth Dimension Holographic Technologies, United States

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Depth of Field Analysis for Multilayer Automultiscopic Displays

Matthew Hirsch, Douglas Lanman, Gordon Wetzstein, Ramesh Raskar
MIT Media Lab, USA

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Commercial Display Holography: A History of Failure?

Ian M Lancaster
Reconnaissance International, United Kingdom

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ISDH 2006 Conference opening speech


Hans I. Bjelkhagen
NEWI/OpTIC, UK
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Organic and inorganic recording medium for registering optical (classical 2D/3D) and digital (computer-synthesized Fresnel CGH) 3D holograms


V. I. Girnyk
Optronics Private Company, Ukraine
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A holographic portrait of Queen Elizabeth II


R. Munday
Spatial Imaging Ltd., UK
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The Holography Business, Display Holography and Creative holographers


I. M. Lancaster
Reconnaissance International, UK
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Making the MIT Museum’s Holography Collection Accessible

Allan Doyle & Seth Riskin
MIT Museum
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Folding Spaces, Unfolding Action

Martina Mrongovius
RMIT University, Melbourne, Australia
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Acrylamide based photopolymer for multicolour holographic recording

Chakrapani Meka
DIT, Dublin, Ireland
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Experimental research on DMD spatial light modulator and its multi-spectrum imaging

Yaotang Li
Chinese Academy of Science
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“Luminous Windows” and “Photons, Neurons and Bits”: The Holography Initiative of the MIT Museum

Seth Riskin
MIT Museum
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The Future of Holographic Technologies and Their Use By Artists

Sandra Oliveira, Martin Richardson
De Montfort University, United Kingdom

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Computational hologram synthesis and representation on spatial light modulators for real-time 3D holographic imaging

Dr Stephan Reichelt
SeeReal Technologies, Germany

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A Survey of Lasers at the Birth of Holography

Robert Hess
Point Source Productions, United States

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International Symposium on Display Holography and it’s beginnings, Lake Forest College, USA


T. H. Jeong
Lake Forest College, USA
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Optical reconstruction of digital hologram using cascaded liquid crystal spatial light modulators


M.-L. Hsieh
National Taiwan Normal University
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An illustrated journey inspiring the audience with future visions of holography textiles & design


A. Affolderbach
Choolips, UK
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Embossed holograms from silver halide masters


D. Pizzanelli
Light Impressions Ltd., UK
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Insights on Brain Disorders through Optical Illusions and the Potential of Holographic 3–D

Aude Oliva & Antonio Torralba
MIT Museum
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The New Look and Locus of the Mazu Temple in Tainan

Ya-Ling Huang
Ming-Chun Tsai Kun Shan University, Taiwan
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PVA photopolymer for classroom holography

Jeff Blyth
University of Cambridge, UK
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Digital holographic encryption system based on liquid crystal spatial light modulators

Chau-Jern Cheng
National Taiwan Normal University, Taiwan
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Color holographic Imaging

Steven Smith
De Montfort University, UK
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Content Metamorphosis in Synthetic Holography

Jacques Desbiens
Canada

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Discrete calculation of the off-axis angular spectrum based light propagation

Petr Lobaz
University of West Bohemia, Czech Republic

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Modular sub-wavelength diffractive light modulator for high-definition holographic displays

Richard Stahl
IMEC, Belgium

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Holography, art, and science – a course of study at Irvine Valley College, California, USA


James D. Trolinger
Metrolaser Inc., USA
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Improvement of direct fringe printer for computer-generated holograms


H. Yoshikawa
Nihon University, Japan
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Spatial dynamics within reconstructed holographic images


M. Mrongovius
Holographics/RMIT University, Australia
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The impact of holography on the commercial lighting industry


M. Crenshaw
Ledalite Architectural Products, Canada
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“Seeing Machines” for the Sight–Impaired

Elizabeth Goldring
MIT Museum
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Holography: A Love Story

Ana Maria Nicholson
Center for the Holographic Arts, NY, USA
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Color holographic display based on single-layer monochromatic and panchromatic dichromated gelatin holographic recording materials

Jianhua Zhu
Sichuan university, China
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Improve on the uniformity of reconstructed output from computer generated hologram with a pre-compensate method

Mei-Li Hsieh and Hung-Chia Liao
National Taiwan Normal University, Taiwan
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Art-Science, Beauty-Reason, and Holography

Prof Tung H Jeong
Lake Forest College, USA

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“Kunstwerk” in the age of holography

Dietmar Ohlmann
Syn4D, Germany

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Haptic Holography/Touching the Ethereal

Prof Michael Page
OCADU, Canada

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Flying with Antares DLR-H2 – From Stereo images to multi view

Dietmar Ohlmann
Syn4D, Germany

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Colour Holography: The Ultimate Imaging Technique for Museums

Prof. Hans Bjelkhagen
Centre for Modern Optics at NEWI/OpTIC, Wales, UK
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The history of holography: Multiple visions


Sean F. Johnston
University of Glasgow, UK
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Two approaches in the development of goggles-free 3D display systems


V. Markov
Metrolaser Inc., USA
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“Presence”: A review of holographic works exhibited at the Butler Institute of American Art


T. Cvetkovich
Chromagem Inc, USA
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SWISSGRAM™: A new holographic security solution


I. Zhurminsky
3D AG, Switzerland
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Holoshop: Haptic Drawing in 3–D

Paula Dawson
University of New South Wales
Play (29min) Download: MP4 | MP3

Visual Language and Technique in the Creative Holographic Domain

Melissa Crenshaw
Canada
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A new photopolymer for volume holographic recording

Po-Lin Chen
National Chiao Tung University, Taiwan
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How to digitalize 3D holographic process

Sam Choi
AFC Technology Co. Ltd.
Play (9min) Download: MP4| MP3>

An easy physics outreach and teaching tool for holography

Dr Alexandre Escarguel
Aix Marseille University, France

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Investigating the spherical nature of light through large format DCG emulsions on glass

August Muth
The Light Foundry, United States

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Challenges in using GPU for the real-time reconstruction of digital hologram images

Prof Peter Hobson
Brunel University, United Kingdom

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Design and visualization of synthetic holograms for security applications

Marek Skeren
Czech Technical University, Czech Republic

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Holography & Associated Laser Techniques in the world of Museum Artifacts

Prof. John M Webster
University of Aberdeen, Scotland
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Emmett Leith: Early work and influence


Sean F. Johnston
University of Glasgow, UK
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Large viewing angle projection type electro-holography using mist 3D screen


K. Sato
Shonan Institute of Technology, Fujisawa, Japan
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On the currents: Revelations in recent works


R. Bruck
Richard Bruck Holography, USA
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Advances in holographic replication with the Aztec structure


J. J. Cowan
Aztec Systems Inc., USA
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Fine Art Holography in Transition – Analogue to Digital

Linda Law
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Flying Colors

Prof. Dieter Jung
Academy of Media Arts Cologne ,Germany
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Computer generated fresnel hologram fabrication for true life scene 3D display

Bing-Chu Chen
Zhongshan university, Guangzhou, China
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Adventures in Holography in the 1960’s

Joseph W. Goodman
Stanford University
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New education system for construction of optical holography setup – Tangible learning with Augmented Reality

Prof Hiroshi Yoshikawa
Nihon University, Japan

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A Holographic Collaboration

Dr Ana Maria Nicholson
United States

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Real-time Image Generation for Compressive Light Field Displays

Matthew Hirsch, Gordon Wetzstein, Douglas Lanman, Ramesh Raskar
MIT Media Lab, United States

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Hololujah: a one kilometre art hologram

David Warren
Australia

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