Holography

International Symposium on Display Holography and it’s beginnings, Lake Forest College, USA


T. H. Jeong
Lake Forest College, USA
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Optical reconstruction of digital hologram using cascaded liquid crystal spatial light modulators


M.-L. Hsieh
National Taiwan Normal University
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An illustrated journey inspiring the audience with future visions of holography textiles & design


A. Affolderbach
Choolips, UK
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Embossed holograms from silver halide masters


D. Pizzanelli
Light Impressions Ltd., UK
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Insights on Brain Disorders through Optical Illusions and the Potential of Holographic 3–D

Aude Oliva & Antonio Torralba
MIT Museum
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The New Look and Locus of the Mazu Temple in Tainan

Ya-Ling Huang
Ming-Chun Tsai Kun Shan University, Taiwan
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PVA photopolymer for classroom holography

Jeff Blyth
University of Cambridge, UK
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Digital holographic encryption system based on liquid crystal spatial light modulators

Chau-Jern Cheng
National Taiwan Normal University, Taiwan
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Color holographic Imaging

Steven Smith
De Montfort University, UK
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Content Metamorphosis in Synthetic Holography

Jacques Desbiens
Canada

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Discrete calculation of the off-axis angular spectrum based light propagation

Petr Lobaz
University of West Bohemia, Czech Republic

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Modular sub-wavelength diffractive light modulator for high-definition holographic displays

Richard Stahl
IMEC, Belgium

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Holography, art, and science – a course of study at Irvine Valley College, California, USA


James D. Trolinger
Metrolaser Inc., USA
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Improvement of direct fringe printer for computer-generated holograms


H. Yoshikawa
Nihon University, Japan
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Spatial dynamics within reconstructed holographic images


M. Mrongovius
Holographics/RMIT University, Australia
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The impact of holography on the commercial lighting industry


M. Crenshaw
Ledalite Architectural Products, Canada
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“Seeing Machines” for the Sight–Impaired

Elizabeth Goldring
MIT Museum
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Holography: A Love Story

Ana Maria Nicholson
Center for the Holographic Arts, NY, USA
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Color holographic display based on single-layer monochromatic and panchromatic dichromated gelatin holographic recording materials

Jianhua Zhu
Sichuan university, China
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Improve on the uniformity of reconstructed output from computer generated hologram with a pre-compensate method

Mei-Li Hsieh and Hung-Chia Liao
National Taiwan Normal University, Taiwan
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Art-Science, Beauty-Reason, and Holography

Prof Tung H Jeong
Lake Forest College, USA

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“Kunstwerk” in the age of holography

Dietmar Ohlmann
Syn4D, Germany

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Haptic Holography/Touching the Ethereal

Prof Michael Page
OCADU, Canada

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Flying with Antares DLR-H2 – From Stereo images to multi view

Dietmar Ohlmann
Syn4D, Germany

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Colour Holography: The Ultimate Imaging Technique for Museums

Prof. Hans Bjelkhagen
Centre for Modern Optics at NEWI/OpTIC, Wales, UK
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The history of holography: Multiple visions


Sean F. Johnston
University of Glasgow, UK
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Two approaches in the development of goggles-free 3D display systems


V. Markov
Metrolaser Inc., USA
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“Presence”: A review of holographic works exhibited at the Butler Institute of American Art


T. Cvetkovich
Chromagem Inc, USA
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SWISSGRAM™: A new holographic security solution


I. Zhurminsky
3D AG, Switzerland
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Holoshop: Haptic Drawing in 3–D

Paula Dawson
University of New South Wales
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Visual Language and Technique in the Creative Holographic Domain

Melissa Crenshaw
Canada
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A new photopolymer for volume holographic recording

Po-Lin Chen
National Chiao Tung University, Taiwan
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How to digitalize 3D holographic process

Sam Choi
AFC Technology Co. Ltd.
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An easy physics outreach and teaching tool for holography

Dr Alexandre Escarguel
Aix Marseille University, France

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Investigating the spherical nature of light through large format DCG emulsions on glass

August Muth
The Light Foundry, United States

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Challenges in using GPU for the real-time reconstruction of digital hologram images

Prof Peter Hobson
Brunel University, United Kingdom

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Design and visualization of synthetic holograms for security applications

Marek Skeren
Czech Technical University, Czech Republic

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Holography & Associated Laser Techniques in the world of Museum Artifacts

Prof. John M Webster
University of Aberdeen, Scotland
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Emmett Leith: Early work and influence


Sean F. Johnston
University of Glasgow, UK
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Large viewing angle projection type electro-holography using mist 3D screen


K. Sato
Shonan Institute of Technology, Fujisawa, Japan
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On the currents: Revelations in recent works


R. Bruck
Richard Bruck Holography, USA
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Advances in holographic replication with the Aztec structure


J. J. Cowan
Aztec Systems Inc., USA
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Fine Art Holography in Transition – Analogue to Digital

Linda Law
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Flying Colors

Prof. Dieter Jung
Academy of Media Arts Cologne ,Germany
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Computer generated fresnel hologram fabrication for true life scene 3D display

Bing-Chu Chen
Zhongshan university, Guangzhou, China
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Adventures in Holography in the 1960’s

Joseph W. Goodman
Stanford University
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New education system for construction of optical holography setup – Tangible learning with Augmented Reality

Prof Hiroshi Yoshikawa
Nihon University, Japan

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A Holographic Collaboration

Dr Ana Maria Nicholson
United States

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Real-time Image Generation for Compressive Light Field Displays

Matthew Hirsch, Gordon Wetzstein, Douglas Lanman, Ramesh Raskar
MIT Media Lab, United States

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Hololujah: a one kilometre art hologram

David Warren
Australia

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Synfograms™, Inscribe Space/time information for museum

Dietmar Öhlmann
Syn4D™ GmbH
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Yuri Denisyuk: An appreciation


Sean F. Johnston
University of Glasgow, UK
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Development of the surface diffraction method for computer-generated display holograms


K. Matsushima
Kansai University, Japan
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Exposures with Nikon digital camera


Mark Diamond
Diamond Images, Inc. Florida
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Optical watermarking system by digital holography


Dr. Li-Chien Lin
Feng-Chia University, Taiwan, ROC
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Morning Panel Discussion

MIT Museum
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Facing the Light: 3D Holographic Portraits

Rosa Maria Oliveira*, Luis Miguel Bernardo**
*University of Aveiro, Portugal **University of Porto, Portugal
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4D fourier transform of wave function and reinvention of holography

Frank C. Fan
AFC Technology Co. Ltd, Shenzhen, China
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Teaching advanced physical concepts using display holograms

Tung H. Jeong
Lake Forest College, Lake Forest, USA
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Going Deeper: Teaching more than the mechanics

Richard Bruck
Columbia College Chicago, United States

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Ultra-realistic 3-D imaging based on color holography

Dr Hans Bjelkhagen
Centre for Modern Optics, United Kingdom

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Full parallax three-dimensional computer generated hologram with occlusion effect using ray casting technique

Dr Hao Zhang
Tsinghua University, China

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For a Photon There is Only the Present

Sally Weber
United States

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“Ultimate Holography” technologies for museum applications

Yves Gentet*, Michael Shevtsov**
* Bordeaux, France, ** St. Petersburg, Russia
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Yuri Denisyuk: Scientist, Colleague and Friend


V. Markov
Metrolaser Inc., USA
Play (9min) Download: MP4 | MP3

Electronic holography at terrahertz and infrared frequencies


N. George
The Institute of Optics, University of Rochester, USA
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Colour holography – state of the art


H. Bjelkhagen
NEWI/OpTIC, UK
Play (33min) Download: MP4 | MP3

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Nickel electroforming: An essential tool for the holographic industry


T. Hart
Hart Coating Technology, UK
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Holographic Video and 3–D Television

Michael Bove
MIT Museum
Play (36min) Download: MP4 | MP3

New Developments and Recent Work by Artists and Designers

Machael Page
Ontario, Canada
Play (22min) Download: MP4| MP3

A fractional fourier transform algorithm for holographic display

Kaifeng Liu
Anhui university, Anhui, China
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An old friend rediscovers holography

Karen Harvey
HARMAN technology Ltd.
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3D and Education

Odile Meulien Öhlmann (Presented by Dietmar Öhlmann)
University Strasbourg, Germany

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A transportable system for the in situ recording of color Denisyuk holograms of Greek cultural heritage artifacts in silver halide panchromatic emulsions and an optimized illuminating device for the finished holograms

Andreas Sarakinos, Alkis Lembessis, Nikos Zervos
Hellenic Institute fo Holography, Greece

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Digital Hologram Generation for A Real 3d Object Using by a Depth Camera

Dr SeungHyun Lee
KwangWoon University, South Korea

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Cave Holography – Out of the Lab and Under the Ground

John Klayer
United States

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HARRISONS ‘H4’ HOLOGRAMS: Stopping Time

Dr. Martin Richardson
De Montfort University, Leicester
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Daguerreotype holography


S. Miller
RMIT University, Australia
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The legend of the true hologram


P. Dawson
The University of New South Wales, Australia
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Large format digital colour holograms produced using RGB pulsed laser technology


D. Brotherton-Ratcliffe
Geola Technologies Ltd., UK
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Bringing commercial viable holographic products to market: From idea to customer


J. Ciaudelli
Rayvel Holographics, USA
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Afternoon Panel Discussion

MIT Museum
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Reinterpretation of Spectrum: Painting in Colors by Rainbow Control

Ray Park
Kwangwoon University, South Korea
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Touring a hologram exhibition

Jonathan Ross
A collector, gallerist and exhibition curator
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Will 2010 herald the decade of display holography?

Ian Lancaster and Glenn P. Wood
Reconnaissance International
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Across Light: Through Colour II

Maria Isabel Azevedo
University School of Arts of Coimbra, Portugal

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A Holographic Color Camera for Recording Artifacts

Abhay Jith
University of Hyderabad, India

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Holographic 3D imaging – methods and applications

Dr Jakub Svoboda
Czech Technical University in Prague, Czech Republic

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A New Display Holography Studio System for Portraiture and Art Holography

P.T. Ajith Kumar
Light Logics Holography and Optics, India

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The Perception of Reality – Looking at Looking

Andrew Pepper
Creative Holography Index
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Ultra-fine-grain emulsions and the SilverCross project


E. Mirlis
NEWI/OpTIC Technium, UK
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Architectural Application and Maintenance for Art Holography


S. Ishii
Independent Artist, Japan
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Phase-shifting electro-holography for recording and reconstruction of wide 3D color images


K. Sato
University of Hyogo, Japan
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Encryption of holographic photonic crystal for security packing


X. Zhang
Xiamen University, China
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From Analog to Digital Holography, a Personal Holographic Journey

Steven L Smith
De Montfort University
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The special effects of holographic replay lighting

Paula Dawson
University of New South Wales, Sydney, Australia
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Digital in-line holographic microscopy and tomography

H.J. Kreuzer
Dalhousie University, Germany
Play (42min) Download: MP4| MP3

3-D TV Preparing the Way for Holographic TV?

V. Michael Bove
MIT Media Laboratory Cambridge, MA USA
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The shifting appearance/disappearance of holographic images: a specific visual quality emblematic of a dynamic ontology of perceptual and cognitive processes

Philippe Boissonnet
University of Quebec in Montreal (UQAM), Canada

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What are the ideal wavelengths for full color holography?

Dr Kaveh Bazargan
holographer.zeeba.tv, United Kingdom

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