Holography

“Ultimate Holography” technologies for museum applications

Yves Gentet*, Michael Shevtsov**
* Bordeaux, France, ** St. Petersburg, Russia
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Yuri Denisyuk: Scientist, Colleague and Friend


V. Markov
Metrolaser Inc., USA
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Electronic holography at terrahertz and infrared frequencies


N. George
The Institute of Optics, University of Rochester, USA
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Colour holography – state of the art


H. Bjelkhagen
NEWI/OpTIC, UK
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Nickel electroforming: An essential tool for the holographic industry


T. Hart
Hart Coating Technology, UK
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Holographic Video and 3–D Television

Michael Bove
MIT Museum
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New Developments and Recent Work by Artists and Designers

Machael Page
Ontario, Canada
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A fractional fourier transform algorithm for holographic display

Kaifeng Liu
Anhui university, Anhui, China
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An old friend rediscovers holography

Karen Harvey
HARMAN technology Ltd.
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3D and Education

Odile Meulien Öhlmann (Presented by Dietmar Öhlmann)
University Strasbourg, Germany

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A transportable system for the in situ recording of color Denisyuk holograms of Greek cultural heritage artifacts in silver halide panchromatic emulsions and an optimized illuminating device for the finished holograms

Andreas Sarakinos, Alkis Lembessis, Nikos Zervos
Hellenic Institute fo Holography, Greece

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Digital Hologram Generation for A Real 3d Object Using by a Depth Camera

Dr SeungHyun Lee
KwangWoon University, South Korea

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Cave Holography – Out of the Lab and Under the Ground

John Klayer
United States

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HARRISONS ‘H4’ HOLOGRAMS: Stopping Time

Dr. Martin Richardson
De Montfort University, Leicester
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Daguerreotype holography


S. Miller
RMIT University, Australia
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The legend of the true hologram


P. Dawson
The University of New South Wales, Australia
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Large format digital colour holograms produced using RGB pulsed laser technology


D. Brotherton-Ratcliffe
Geola Technologies Ltd., UK
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Bringing commercial viable holographic products to market: From idea to customer


J. Ciaudelli
Rayvel Holographics, USA
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Afternoon Panel Discussion

MIT Museum
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Reinterpretation of Spectrum: Painting in Colors by Rainbow Control

Ray Park
Kwangwoon University, South Korea
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Touring a hologram exhibition

Jonathan Ross
A collector, gallerist and exhibition curator
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Will 2010 herald the decade of display holography?

Ian Lancaster and Glenn P. Wood
Reconnaissance International
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Across Light: Through Colour II

Maria Isabel Azevedo
University School of Arts of Coimbra, Portugal

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A Holographic Color Camera for Recording Artifacts

Abhay Jith
University of Hyderabad, India

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Holographic 3D imaging – methods and applications

Dr Jakub Svoboda
Czech Technical University in Prague, Czech Republic

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A New Display Holography Studio System for Portraiture and Art Holography

P.T. Ajith Kumar
Light Logics Holography and Optics, India

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The Perception of Reality – Looking at Looking

Andrew Pepper
Creative Holography Index
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Ultra-fine-grain emulsions and the SilverCross project


E. Mirlis
NEWI/OpTIC Technium, UK
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Architectural Application and Maintenance for Art Holography


S. Ishii
Independent Artist, Japan
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Phase-shifting electro-holography for recording and reconstruction of wide 3D color images


K. Sato
University of Hyogo, Japan
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Encryption of holographic photonic crystal for security packing


X. Zhang
Xiamen University, China
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From Analog to Digital Holography, a Personal Holographic Journey

Steven L Smith
De Montfort University
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The special effects of holographic replay lighting

Paula Dawson
University of New South Wales, Sydney, Australia
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Digital in-line holographic microscopy and tomography

H.J. Kreuzer
Dalhousie University, Germany
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3-D TV Preparing the Way for Holographic TV?

V. Michael Bove
MIT Media Laboratory Cambridge, MA USA
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The shifting appearance/disappearance of holographic images: a specific visual quality emblematic of a dynamic ontology of perceptual and cognitive processes

Philippe Boissonnet
University of Quebec in Montreal (UQAM), Canada

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What are the ideal wavelengths for full color holography?

Dr Kaveh Bazargan
holographer.zeeba.tv, United Kingdom

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Computer holography: 3D digital art based on high-definition CGH

Prof Kyoji Matsushima
Kansai University, Japan

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Holographic Metrology and Basic Physics

Nils Abramson
Royal Inst of Technology, Sweden

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Holography in Museums — A modern Sleeping Beauty Syndrome

Matthias Lauk
LAUK GmbH, Germany
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Intrinsic properties of holographic recording materials: principles and devices used for an objective evaluation


P.-Y. Berken
University of Liège, Belgium
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Beneath the surface: New works from the Strata Series


Sally Weber
Independent Artist, USA
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Fabrication of color holographic optical elements using laser direct write lithography system


S. Nakahara
Kansai University, Japan
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Emmett Leith and Yuri Denisyuk memorial


T. H. Jeong
Lake Forest College, USA
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My Hologram Collections for University Educations

Hsu Dahsiung
Beijing Tsinghua University
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Installation with Sunlight and Holography – As Environmental Art

Setsuko Ishii
Independent artist,Tokyo, Japan
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Digital holographic display based on analytical algorithm

Zhu Nan
Beijing Institute of Technology, China
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Development of fringe printer and its practical applications

Takeshi Yamaguchi
Nihon University, Japan
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Coexistence

Ray Park
Korea Electronics Technology Institute, South Korea

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New recording material with AgBr nanoparticles for optical holography

Milan Kveton
Czech Technical University in Prague, Czech Republic

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Bit-mapped Holograms Using Phase Transition Mastering (PTM) and Blu-ray Disks

Dr Donald Barnhart
Barnhart Optical Research LLC, United States

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Holovideo for Everyone

Daniel Smalley
MIT Media Lab, United States

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Fringe Printer for Computer–generated Holograms

Hiroshi Yoshikawa
Japan
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FUJIFILM — New film technology for the display holographic market


G. Jackson
Fuji Hunt Photographic Chemicals (UK) Ltd., UK
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Display holography in Korea


J.-Y. Lee
Korean National University of Arts, South Korea
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Colour holography in optics courses at Lund Institute of Technology


S.-G. Pettersson
Lund Institute of Technology, Sweden
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Ultra-Realistic Imaging: A New Beginning for Display Holography?

Dr Hans I. Bjelkhagen
Hansholo Consulting Ltd Dyserth, Wales,UK

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Teaching Holography: Five Years and 400 Foundation Students Later

Pearl John
University of Southampton
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Optics and Laser Light, the Kinetic Viewer

Isabel Azevedo and Rosa Maria Oliveira
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Natural light holography: possible approaches and current examples

Michael K. Finegan
Creative Engineering, NYC, USA
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Fabrication of HOE using CGH technique and laser direct write lithography system

Sumio Nakahara
Kansai University, Japan
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The Haptic Lines of Homeland

Paula Dawson
University of New South Wales, Australia

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Aberrations in Holography

Dinesh Padiyar
Triple Take Holographics, United States

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Holograms by/for the Masses

Michael Klug (presented by Craig Newswanger)
Zebra Imaging, Inc., United States

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Human Factors for Holographic Imaging

James Barabas
United States

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Holography and New Media

Sarah Maline
Farmington, ME USA
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New ultra-fine grain photofilm for pulsed colour holography


Stanislovas Zacharovas
Geola UAB
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Holography in the history of Comtemporary Art


R. Garcia-Robles
University of Seville, Spain
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A new device for holographic photography


S. Zacharovas
Geola Technologies Ltd., UK
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Artist’s Comments

MIT Museum
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The “Omnigram” for Teaching Holography

Tung H. Jeong
Lake Forest College, USA
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Limited edition prints for Artists: Embossed holograms made from silver halide masters

Dr. David Pizzanelli
pizzanelli.co.uk
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Practical method for color computer-generated rainbow hologram of real-existing objects

Shiye Yi, Hui Wang
Zhejiang Normal University, China
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The perspectives of synthetic holography

Jacques Desbiens
www.i-jacques.com
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Artistic Representation with Pulsed Holography

Dr Setsuko Ishii
Independent Artist, Japan

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Quantitative Measurement of Holographic Imaging Quality Using Adobe Photoshop

Ed Wesly
Harrington College of Design, United States

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A Stellar Hologram

Joy Padiyar
Triple Take Holographics

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Calculation method of CGH for Binocular Eyepiece-Type Electro Holography

Yuji Sakamoto
Hokkaido University, Japan

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The Maple Leaf Civil War Holography Project

Frank DeFreitas*, Bill Pugh**
* Pennsylvania, USA, ** Florida, USA
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Multi-layer systems with DESA emulsions


L. Dünkel
TFH Berlin, Germany
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The prime illusion: Modern holography in the age of digital media


M. Richardson
De Montfort University, UK
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Holography, relativity and the spooky ellipsoids


N. Abramson
Royal Institute of Technology, Sweden
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4–D Capture and 6–D Display

Ramesh Raskar & Ankit Mohan
Camera Culture Group, MIT Media Lab
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Simple methods in high throughput holography classes

William R. Alschuler
California Institute of the Arts, USA
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Zipsister and the Smoking Gun

David Warren
Australian artist
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Advances in digital holography

Stanislovas Zacharovas
Geola uab
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Holograms for Beijing 2008 olympic games

Jingfang Zhang
Zhongchao Special Security Technology Co. Ltd., China
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LightLeaves: landscape reflection hologram installation with computer controlled lighting and a brief discussion of other work

Betsy Connors
ACME Holography, United States

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A New Type of Coupled Wave Theory Capable of Analytically Describing Diffraction in Polychromatic Gratings and Holograms

Dr David Brotherton-Ratcliffe
Geola Technologies Ltd, United Kingdom

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Drawing Light-fields: Hand-Drawn Approaches to Abrasion Holography

Tristan Duke
United States

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Reports from the Nations

Reports from the Nations
 

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Pseudo crystal beginning: surprising optical behaviour of a recently discovered gem opal


P. Gauchet and F. Mazzero
University of Pittsburgh
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Colourholographic Ltd BBPan panchromatic emulsions for recording colour holograms


M. Ulibarrena
Colourholographic Ltd., UK
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Words and images in time and space: An exploration of the use of text in fine-art holography


P. John
University of Southampton, UK
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Facial topometry using pulsed holography


S. Hirsch
HFZ Universitäts hospital Basel, Germany
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Other Dimensions of Holography: the Historical, Social and Cultural

Sean Johnston
University of Glasgow
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A Case for the Holographic Object

Mary Harman
Visual Artist
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Color Holography Progress and New Recording Materials

Prof. Hans Bjelkhagen
Centre for Modern Optics, OpTIC
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Dynamic digital holographic display based on digital micromirror device and the improvement of optically reconstructed image quality

Jianhua Zhu
Sichuan university, China
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Hologram standardization at ISO: Seeking Experts

Hiroshi Yoshikawa
Nihon University, Japan
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