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Maria Isabel Azevedo
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University School of Arts of Coimbra, Portugal
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This paper intends to be a reflection on the end product of the process of preparing movies to digital art holograms, comparing the kind of space and movement between those images and the ones in the previous paper. This paper explores too questions about the act of seeing through that images and it is concerned with the surrounding debate of ideas for new experimental methodologies applied to holographic images.
