ISDH 2012

ISDH 2012
June 25-29, 2012
Cambridge Massachusetts USA
The 9th International Symposium on Display Holography (ISDH 2012) was held at MIT Media Lab, Cambridge Massachusetts USA

Please note that new recordings will be added as we receive presentation files and permission to upload.

Table of Contents

  1. Reports from the Nations
  2. Art-Science, Beauty-Reason, and Holography
  3. An easy physics outreach and teaching tool for holography
  4. New education system for construction of optical holography setup - Tangible learning with Augmented Reality
  5. Going Deeper: Teaching more than the mechanics
  1. 3D and Education
  2. Looking back and forward, Holography at the Academy of Media Arts Cologne (KHM)
  3. Hololujah: a one kilometre art hologram
  4. Across Light: Through Colour II
  5. The shifting appearance/disappearance of holographic images: a specific visual quality emblematic of a dynamic ontology of perceptual and cognitive processes
  6. Coexistence
  7. The Haptic Lines of Homeland
  8. Moving through a multiplex holographic
  9. Artistic Representation with Pulsed Holography
  10. LightLeaves: landscape reflection hologram installation with computer controlled lighting and a brief discussion of other work
  11. Holography without frames: Sculptural installations incorporating ‘drawn’ elements
  12. From mimetism to immateriality in Art Holography: different approaches and concepts
  13. A Curious Conundrum; The State of Holographic Portraiture in the 21st Century
  14. For a Photon There is Only the Present
  15. The Future of Holographic Technologies and Their Use By Artists
  16. Content Metamorphosis in Synthetic Holography
  17. "Kunstwerk" in the age of holography
  18. Investigating the spherical nature of light through large format DCG emulsions on glass
  19. A Holographic Collaboration
  20. Ultra-realistic 3-D imaging based on color holography
  21. A transportable system for the in situ recording of color Denisyuk holograms of Greek cultural heritage artifacts in silver halide panchromatic emulsions and an optimized illuminating device for the finished holograms
  22. A Holographic Color Camera for Recording Artifacts
  23. Cave Holography - Out of the Lab and Under the Ground
  24. A New Display Holography Studio System for Portraiture and Art Holography
  25. A Survey of Lasers at the Birth of Holography
  26. What are the ideal wavelengths for full color holography?
  27. New recording material with AgBr nanoparticles for optical holography
  28. Holographic Metrology and Basic Physics
  29. Aberrations in Holography
  30. Quantitative Measurement of Holographic Imaging Quality Using Adobe Photoshop
  31. Drawing Light-fields: Hand-Drawn Approaches to Abrasion Holography
  32. A New Type of Coupled Wave Theory Capable of Analytically Describing Diffraction in Polychromatic Gratings and Holograms
  33. Recent Advancements in Photorefractive Holographic Imaging
  34. Direct fringe imaging of diffraction specific coherent panoramagrams in photorefractive polymer for updatable three-dimensional holographic display
  35. Holovideo for Everyone
  36. Human Factors for Holographic Imaging
  37. Modular sub-wavelength diffractive light modulator for high-definition holographic displays
  38. Depth of Field Analysis for Multilayer Automultiscopic Displays
  39. Computational hologram synthesis and representation on spatial light modulators for real-time 3D holographic imaging
  40. Discrete calculation of the off-axis angular spectrum based light propagation
  41. Haptic Holography/Touching the Ethereal
  42. Challenges in using GPU for the real-time reconstruction of digital hologram images
  43. Calculation method of CGH for Binocular Eyepiece-Type Electro Holography
  44. A rendering method of background reflections on a specular surface for CGH
  45. Real-time Image Generation for Compressive Light Field Displays
  46. Full parallax three-dimensional computer generated hologram with occlusion effect using ray casting technique
  47. Digital Hologram Generation for A Real 3d Object Using by a Depth Camera
  48. Holographic 3D imaging – methods and applications
  49. Computer holography: 3D digital art based on high-definition CGH
  50. An Innovative Tool for Fabrication Computer-Generated Holograms
  51. Bit-mapped Holograms Using Phase Transition Mastering (PTM) and Blu-ray Disks
  52. Commercial Display Holography: A History of Failure?
  53. Holograms by/for the Masses
  54. Design and visualization of synthetic holograms for security applications
  55. Flying with Antares DLR-H2 - From Stereo images to multi view
  56. A Stellar Hologram

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Reports from the Nations

Reports from the Nations
 

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Art-Science, Beauty-Reason, and Holography

Prof Tung H Jeong
Lake Forest College, USA

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An easy physics outreach and teaching tool for holography

Dr Alexandre Escarguel
Aix Marseille University, France

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New education system for construction of optical holography setup – Tangible learning with Augmented Reality

Prof Hiroshi Yoshikawa
Nihon University, Japan

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Going Deeper: Teaching more than the mechanics

Richard Bruck
Columbia College Chicago, United States

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3D and Education

Odile Meulien Öhlmann (Presented by Dietmar Öhlmann)
University Strasbourg, Germany

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Looking back and forward, Holography at the Academy of Media Arts Cologne (KHM)

Martina Mrongovius
Center for the Holographic Arts, US

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Hololujah: a one kilometre art hologram

David Warren
Australia

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Across Light: Through Colour II

Maria Isabel Azevedo
University School of Arts of Coimbra, Portugal

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The shifting appearance/disappearance of holographic images: a specific visual quality emblematic of a dynamic ontology of perceptual and cognitive processes

Philippe Boissonnet
University of Quebec in Montreal (UQAM), Canada

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Coexistence

Ray Park
Korea Electronics Technology Institute, South Korea

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The Haptic Lines of Homeland

Paula Dawson
University of New South Wales, Australia

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Moving through a multiplex holographic

Martina Mrongovius
Center for the Holographic Arts, US

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Artistic Representation with Pulsed Holography

Dr Setsuko Ishii
Independent Artist, Japan

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LightLeaves: landscape reflection hologram installation with computer controlled lighting and a brief discussion of other work

Betsy Connors
ACME Holography, United States

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Holography without frames: Sculptural installations incorporating ‘drawn’ elements

Andrew Pepper
Nottingham Trent University, United Kingdom

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From mimetism to immateriality in Art Holography: different approaches and concepts

Rosa Maria Oliveira
University of Aveiro, Portugal

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A Curious Conundrum; The State of Holographic Portraiture in the 21st Century

Rob Taylor
Forth Dimension Holographic Technologies, United States

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For a Photon There is Only the Present

Sally Weber
United States

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The Future of Holographic Technologies and Their Use By Artists

Sandra Oliveira, Martin Richardson
De Montfort University, United Kingdom

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Content Metamorphosis in Synthetic Holography

Jacques Desbiens
Canada

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“Kunstwerk” in the age of holography

Dietmar Ohlmann
Syn4D, Germany

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Investigating the spherical nature of light through large format DCG emulsions on glass

August Muth
The Light Foundry, United States

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A Holographic Collaboration

Dr Ana Maria Nicholson
United States

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Ultra-realistic 3-D imaging based on color holography

Dr Hans Bjelkhagen
Centre for Modern Optics, United Kingdom

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A transportable system for the in situ recording of color Denisyuk holograms of Greek cultural heritage artifacts in silver halide panchromatic emulsions and an optimized illuminating device for the finished holograms

Andreas Sarakinos, Alkis Lembessis, Nikos Zervos
Hellenic Institute fo Holography, Greece

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A Holographic Color Camera for Recording Artifacts

Abhay Jith
University of Hyderabad, India

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Cave Holography – Out of the Lab and Under the Ground

John Klayer
United States

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A New Display Holography Studio System for Portraiture and Art Holography

P.T. Ajith Kumar
Light Logics Holography and Optics, India

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A Survey of Lasers at the Birth of Holography

Robert Hess
Point Source Productions, United States

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What are the ideal wavelengths for full color holography?

Dr Kaveh Bazargan
holographer.zeeba.tv, United Kingdom

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New recording material with AgBr nanoparticles for optical holography

Milan Kveton
Czech Technical University in Prague, Czech Republic

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Holographic Metrology and Basic Physics

Nils Abramson
Royal Inst of Technology, Sweden

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Aberrations in Holography

Dinesh Padiyar
Triple Take Holographics, United States

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Quantitative Measurement of Holographic Imaging Quality Using Adobe Photoshop

Ed Wesly
Harrington College of Design, United States

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Drawing Light-fields: Hand-Drawn Approaches to Abrasion Holography

Tristan Duke
United States

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A New Type of Coupled Wave Theory Capable of Analytically Describing Diffraction in Polychromatic Gratings and Holograms

Dr David Brotherton-Ratcliffe
Geola Technologies Ltd, United Kingdom

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Recent Advancements in Photorefractive Holographic Imaging

Brittany Lynn
College of Optical Science, University of Arizona, USA

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Direct fringe imaging of diffraction specific coherent panoramagrams in photorefractive polymer for updatable three-dimensional holographic display

Sundeep Jolly
Media Lab, United States

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Holovideo for Everyone

Daniel Smalley
MIT Media Lab, United States

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Human Factors for Holographic Imaging

James Barabas
United States

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Modular sub-wavelength diffractive light modulator for high-definition holographic displays

Richard Stahl
IMEC, Belgium

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Depth of Field Analysis for Multilayer Automultiscopic Displays

Matthew Hirsch, Douglas Lanman, Gordon Wetzstein, Ramesh Raskar
MIT Media Lab, USA

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Computational hologram synthesis and representation on spatial light modulators for real-time 3D holographic imaging

Dr Stephan Reichelt
SeeReal Technologies, Germany

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Discrete calculation of the off-axis angular spectrum based light propagation

Petr Lobaz
University of West Bohemia, Czech Republic

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Haptic Holography/Touching the Ethereal

Prof Michael Page
OCADU, Canada

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Challenges in using GPU for the real-time reconstruction of digital hologram images

Prof Peter Hobson
Brunel University, United Kingdom

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Calculation method of CGH for Binocular Eyepiece-Type Electro Holography

Yuji Sakamoto
Hokkaido University, Japan

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A rendering method of background reflections on a specular surface for CGH

Tsubasa Ichikawa
Hokkaido University, Japan

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Real-time Image Generation for Compressive Light Field Displays

Matthew Hirsch, Gordon Wetzstein, Douglas Lanman, Ramesh Raskar
MIT Media Lab, United States

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Full parallax three-dimensional computer generated hologram with occlusion effect using ray casting technique

Dr Hao Zhang
Tsinghua University, China

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Digital Hologram Generation for A Real 3d Object Using by a Depth Camera

Dr SeungHyun Lee
KwangWoon University, South Korea

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Holographic 3D imaging – methods and applications

Dr Jakub Svoboda
Czech Technical University in Prague, Czech Republic

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Computer holography: 3D digital art based on high-definition CGH

Prof Kyoji Matsushima
Kansai University, Japan

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An Innovative Tool for Fabrication Computer-Generated Holograms

Henry Smith
MIT, United States

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Bit-mapped Holograms Using Phase Transition Mastering (PTM) and Blu-ray Disks

Dr Donald Barnhart
Barnhart Optical Research LLC, United States

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Commercial Display Holography: A History of Failure?

Ian M Lancaster
Reconnaissance International, United Kingdom

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Holograms by/for the Masses

Michael Klug (presented by Craig Newswanger)
Zebra Imaging, Inc., United States

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Design and visualization of synthetic holograms for security applications

Marek Skeren
Czech Technical University, Czech Republic

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Flying with Antares DLR-H2 – From Stereo images to multi view

Dietmar Ohlmann
Syn4D, Germany

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A Stellar Hologram

Joy Padiyar
Triple Take Holographics

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